Darijan Pejovski: Feature film is like a marathon, short movies are more like a sprint

Darijan Pejovski (1983) is a young Macedonian film director. He graduated from the Department of Film and TV Directing at the Faculty of Dramatic Arts in Skopje. The audience knows him as a co-writer of the screenplay for a feature fiction film directed by Vladimir Blazevski, Punk´s Not Dead (Pankot ne e mrtov, 2011). Before he directed several short and documentary films. During the International Film Festival Bratislava you could have seen his first feature fiction film Three Days in September (2015). Continue reading “Darijan Pejovski: Feature film is like a marathon, short movies are more like a sprint”

Our Tips for Tuesday

Unfortunately, the Bratislava film festival is slowly heading toward the inevitable. All international juries picked the winning films in each category yesterday, so you still can hope that maybe one of them is among the listed. It is a public holiday today, which plays into the hands of movie buffs that would otherwise have to stay at work. Today, the screenings are scheduled only in Kino Lumière (K2) and Kino Mladosť. Continue reading “Our Tips for Tuesday”

Emília Vášáryová: “I Don’t Like to Watch 35 mm Films on Television”

On Saturday, November 14, Bratislava International Film Festival held a gala evening to present its Lifetime Artistic Achievement Award upon actress Emília Vášáryová and make her the newest holder of the memorial tile on the Film Walk of Fame in Bratislava downtown. Continue reading “Emília Vášáryová: “I Don’t Like to Watch 35 mm Films on Television””


Dalibor Matanić demonstrated interest in strong issues already in early stages of his career. In his latest motion picture, Zvizdan (2015), which took home Un Certain Regard Jury Prize from this year’s Cannes IFF, he deals with complicated mutual relations between Croats and Serbs. Continue reading “Zvizdan”

Our Tips for Monday

The cold and damp weather that set in Bratislava yesterday makes for a perfect invitation to spend your free time in a cinema theatre; here, you can tuck in a comfy armchair, forget the wind and the rain and identify with joys and problems of on-screen characters just like Mia Farrow did in the Purple Rose of Cairo. To help you fit your mood to the perfect film, here are a couple of tips for today. Continue reading “Our Tips for Monday”

Our Preview: Flotel Europa

In 1992 when former Yugoslavia was being ravaged by a devastating civil war, the wave of refugees that had spilled all over Europe reached as far as Denmark. With existing refugee camps filled to the brim, the Red Cross came up with an ingenious solution to tug a decommissioned ocean liner into a canal near Copenhagen. Soon renamed fittingly to Flotel Europa, this floating refugee camp became a temporary home to hundreds of refugees for several months or even years.  Continue reading “Our Preview: Flotel Europa”

How Videocassettes Changed the Face of Cinema, Society

This year, the Bratislava film festival decided to pay homage to a little plastic item that once shaped the way we perceived films and life around us – videocassette. On the first glimpse, it may appear as an obscure episode and a marginal medium in the history of cinema; however, the VHS boom is a true phenomenon that has forever changed not only the face of the film industry (have you seen Boogie Nights?) but also life in many societies locked behind the Iron Curtain – at least that’s what young Romanian director Ilinca Calugareanu is trying to show us in her feature documentary, Chuck Norris vs Communism. Continue reading “How Videocassettes Changed the Face of Cinema, Society”