17th Bratislava Film Festival Will Present the Best of European Cinema

17th edition of the International Film Festival Bratislava that will open its gates from November 12 – 17 in municipal and club cinema theatres around Bratislava downtown will proudly present the best and the most remarkable European films of the past year. Mustang, The High Sun, Mediterranea, Flotel Europa, One Floor Below – this is just a sample of celluloid gems that will be featured in a separate programme section entitled Europa.

The 17th edition of the Bratislava Film Festival features a handful of programme changes. One of them is establishing Europa, a separate new section that will from now on be dedicated to hand-picking the sweetest berries of the latest European cinema harvest. The section will hopefully create a platform to observe topics that attract European filmmakers’ attention and how the idea of European togetherness is reflected by motion pictures that are created in this geographical and cultural area. Supporting multi-national co-productions is among typical features of the European Union’s audio-visual policy, which is why it makes more and more sense to think of European cinema as one organic whole that makes borders between particular national cinemas gradually disappear.

 

This year, Bratislava festival-goers can look forward to seeing the most outstanding European films of the past year, including Flotel Europa, a documentary by director Vladimir Tomić that has become a regular festival smash hit. Born in Sarajevo but raised in Denmark, Tomić has put his own first-hand experience of a Bosnian War refugee into a film, which is a kaleidoscope comprising fragments of home video footage of the period. A brilliantly composed and edited tale of separation and searching for lost home takes the form of a disarmingly open and intimate diary. Thanks to its timeless approach to the issue of migration, Flotel Europa may be perceived as a contribution to the ongoing debate on the lot of refugees.

 

The Europa programme section will also present the latest film by Radu Muntean, one of the most remarkable representatives of the so-called new wave of Romanian directors whose motion picture, Tuesday, after Christmas (Marţi, după Crăciun), screened at the Bratislava film festival in 2010. His minimalistic drama, One Floor Below (Un etaj mai jos) tells a story of an ordinary man facing a moral dilemma as a pedantic and devoted father of a family must choose between convenience and conscience. The film premiered at this year’s Cannes Film Festival as part of the Un Certain Regard competitive section.

 

Another filmmaker to return to Bratislava after several years is Croatian director and screenwriter Dalibor Matanić who personally presented his competitive short film, Mezzanine (Mezanin), at the festival in 2011. His latest feature film, The High Sun (Zvizdan), is one of the biggest European prize harvesters of this year. The film snatched Un Certain Regard Jury Prize at this year’s Cannes Film Festival, which jumpstarted its extremely successful campaign at film festivals around the world. A riveting love story that defies religious prejudice and ethnic hatred takes place in three parts set in three decades against the backdrop of the Balkan region’s tragic tale that spans the early 1990s and the present day.  was The High Sun among the nominees for the European Film Award and one of the ten runners-up for LUX Prize 2015.

 

 

The Europa section is the stage at which the Bratislava Film Festival will also present the three finalists of this year’s LUX Prize, a film award introduced in 2007 by the European Parliament in effort to support European cultural exchange by distributing select films throughout EU member states. The triplet of finalists features Mustang, which brought its Turkish director Deniz Gamze Ergüven two awards from the Quinzaine des Réalisateurs independent section at his year’s Cannes Film Festival. Furthermore, the film has been nominated for the Discovery Award at European Film Awards and will also represent France in vying for the best foreign language film at the upcoming Academy Awards. The remaining two finalists of the LUX Prize 2015 include The Lesson (Urok), a drama by a tandem of Bulgarian directors Kristina Grozeva and Petar Valchanov that has already clinched several festival awards, and Mediterranea, a feature film debut by Jonas Carpignano, a director who comes from a mixed marriage of an Italian father and an Afro-American mother.

 

Mediterranea will kick off the 17th edition of the Bratislava IFF as part of a unique multinational cinema event. On Wednesday, November 11, Kino Mladosť will host a projection that will virtually interconnect cinema theatres in a number of European towns. Subsequently, cinemagoers across Europe will be able to use a Twitter wall to ask questions of director Jonas Carpignano who will be at the Bozar cinema in Brussels, which will be the main stage of the entire event.

 

For regular updates about the programme of the International Film Festival Bratislava, please visit our official website at www.iffbratislava.sk or our official Facebook account at www.facebook.com/bratislavaiff.

 

 

17th INTERNATIONAL film festival Bratislava

November 12 – 17, 2015

 

Kino Lumière, Kino Mladosť, Kino Nostalgia

 

Main organisers
Ars Nova civic association
Partners Production

 

The Festival is held with the generous financial support of Slovak Audiovisual Fund

and the Bratislava regional self-government

 

Come and experience it!

 

Dear film fans and supporters of the art of cinema, dear festival visitors, colleagues and friends, With great regret, we must report that the Bratislava International Film Festival will not be held in 2019. Believe us, we were the last ones to want to make this decision, but at the same time, we wanted to
be the first to announce it.

Based on votes cast by the visitors, the Bratislava IFF Viewers’ Choice Award went to Wanuri Kahiu’s second feature film Rafiki (2018) about forbidden love in Kenya.

Awards of the 20th Bratislava IFF 2018

“If you’re lucky enough to make living of something you really love, there is a downside – you don’t do it for fun, it’s a job.”

 

Tomáš Hudák. He studied Film studies (criticism) at the Academy of Performing Arts in Bratislava (VŠMU). He’s a fan of film, music, literature and the art as such. He’s a freelancer, writing film reviews and co-organizing several Slovakian film festivals.

“It’s nice to step out from the bubble of social networks – the binary world of likes/unlikes to be part of the group of totally different people, who are connected only by the skateboards.”

 

Šimon Šafránek. – director, journalist, DJ – multi-genre artist with the sensation of music and word. He’s a freelancer, writing for the Denník N, Hospodářské noviny, Reflex, Magnus etc.

“Films make us better, braver, more romantic and free”

 

Bibiana Ondrejková. A popular theatre and voice actress and presenter. The general public knows her as the Slovak voice of Phoebe Buffay from the TV show Friends. Upon seeing her, viewers will associate her with the Slovak TV series The Defenders (2014), Red Widow (2014), Homicide Old Town (2010) or Block of Flats (2008).

“Actors infuse film with emotion and give it a soul”

Daniel Rihák. A fresh graduate of film directing at the Academy of Performing Arts in Bratislava under the leadership of prof. Martin Šulík. A director of (so far) student films and a number of commercials. His graduation film The Trip recently won the Best Director and Best Sound awards at the Áčko Student Film Festival.

“All women have the power to change things”

 

Ivana Hucíková belongs to the generation of young Slovak filmmakers. She studied at the Academy of Performing Arts in Bratislava, from which she graduated in 2015 with her film Mothers and Daughters. A Bratislava citizen from Orava, living and creating in Slovakia and the USA. So far, she has made several short documentary films: Into My Life (2018), Connie & Corey (2017) and is currently working on the development of several film projects as their director, producer or editor.

“Cinema is a great medium for sharing common European values”

 

Dominika Jarečná was born in 1999 in Bratislava. She currently studies Theory and History of Arts at the Faculty of Arts, Masaryk University in Brno (Czech Republic). She was a member of the Giornate degli Autori jury at this year’s Venice IFF and is a LUX Prize ambassador for the years 2018 and 2019.

Film festival: “It’s a bit like a vacation full of stories”

Alena Sabuchová is a young Slovak author and screenwriter. For her debut collection of short stories Back rooms, Alena was awarded the Ivan Krasko Prize for the best Slovak-language debut as well as the Tatra banka Foundation Young Artist Award in the category of literature. She writes scripts for television and radio, and is currently working on her second book, which will be published next year.

“These films were among the most awarded debut films at this year’s leading festivals”

 

Nenad Dukić. Serbian film critic, who has been collaborating with the team of people preparing The Bratislava International Film Festival for 8 years now. This year (the 20th anniversary of the festival’s existence), he is again the compiler of the Fiction Competition and co-compiler of the section Cinema Now.

The popular section Cinema Now brings an overview of the most remarkable films of the season. Its curators, Nenad Dukid and Tomáš Hudák, have assembled the most interesting movies that have stirred the waters of world’s major festivals. For 20 years, the Bratislava IFF has been supplying the Slovak film public with names, which often become stars of the screen.