April’s Daughter

Las hijas de Abril

Valeria is 17 and expecting a child with her boyfriend who is not much older,
living in Puerto Vallarta with her half-sister, Clara. Valeria does not want
her long-absent mother, April, to find out about the pregnancy, but due to
the economic strain and the overwhelming responsibility of having a baby
in the house Clara decides to call their mother. April arrives and strives to
support her daughter and help her with the child. But their family life is far
from ideal and Abril begins to be convinced that Valeria simply is not a good
mother. She opts for a drastic solution and we soon understand why Valeria
wanted her to stay away.
Mexican producer, screenwriter and director Michel Franco has again made
a strong drama teeming with tense relations and characters that all of a
sudden helplessly fall through to the bottom of their existence. A brilliantly
constructed character drama is an incisive probe into what people under
strain are capable of.

  • Year:
    2017
  • Runtime:
    103
  • Country:
    Mexico
  • Director:
    Michel Franco
  • Screenplay:
    Michel Franco
  • Dir. of Photography:
    Yves Cape
  • Editor:
    Jorge Weisz, Michel Franco
  • Cast:
    Emma Suárez, Ana Valeria Becerril, Enrique Arrizon, Joanna Larequi, Hernán Mendoza
  • Production:
    Lucía Films
  • Sales:
    MK2
  • Festivals:
    Cannes 2017 (Un Certain Regard – Jury Prize), Karlovy Vary 2017, Nowe horyzonty 2017, Sarajevo 2017, Toronto 2017, London 2017, Busan 2017

Schedule:

11.11.2017 17:30 Kino Nostalgia
14.11.2017 20:15 Kino Mladosť

About the Director:

Michel Franco

(1979, Ciudad de México, Mexico) ranks among the most prominent Mexican filmmakers. His films regularly appear and attract accolade at the Cannes IFF; After Lucia (Después de Lucía, 2012) won Un Certain Regard Award here while Chronic (2015) clinched Best Screenplay award and April’s Daughter won Special Jury Prize of the Un Certain Regard section. Besides his own films, Franco has also produced works by other directors, including Gabriel Ripstein’s 600 Miles (600 Millas – Best Debut at Berlinale 2015) or Lorenzo Vigas’ From Afar (Desde allá – Golden Lion at the Venice IFF in 2015).