At an unspecified port, we are lead into a crowd of refugees through a trail of discarded lifejackets. Walking along a Greek highway, a little girl stands out from the crowd. Three-year-old Lean is brimming with curiosity and childlike energy. Without any background information on the child and her family, we follow them on their arduous journey across Europe. Filmed from one meter above the ground, the camera captures the story from the viewpoint of the child. We are with her and her little “Frozen” backpack amongst the legs and bags belonging to the adults around her. Throughout the tough journey she holds onto her childlike ability to normalize her days. She sings, plays and sleeps in the arms of her parents when she gets tired. The landscape changes continuously as national borders are crossed. The urgency of Larsen’s directorial debut lies in his ability to transport us in time and space. For several dozens of minutes, he makes the viewer feel as part of a throng of people wandering through the unknown terrain and seeking the promised land.