The core of Kinečko film magazine is here again to recommend a couple of films you can’t miss.
Eva Križková: The White World According to Daliborek, Kino Lumière (K1), 8 p.m.
I almost didn’t make it through this film. Not because it would be boring. On the contrary. It is far too intense in how directly and intimately it portrays the everyday reality of people we’re not used to meeting and talking to in person. Instead of discussing whether this “portrait of a gentle neo-Nazi” should be considered a true documentary, I recommend spending 105 minutes in a reality I hope you’d never experience otherwise.
Saša Gabrižová: Kate Plays Christine, Kino Lumière (K2), 8:15 p.m.
Out of today’s programme, I’m picking a documentary again. Kate Plays Christine is a film that has left a deep imprint on my mind. In 1974 news anchor Christine Chubbuck committed suicide during a live television broadcast. As part of a reconstruction and efforts to understand this event, the director Robert Greene is interested in the re-birth of Kate, who is an actress, into the character of Christine. As Pavla Racherová aptly writes in her review, “in a standard production of a feature but often even documentary film, things such as archive footage, newspaper clippings or the costumes tend to be provided in advance rather than witnessed by the viewer. In this film, investigation and discovering are turned into working methods.” While working on his own documentary films, Greene often partners with the American independent filmmaker Alex Ross Perry and writes for Sight & Sound magazine.
Based on votes cast by the visitors, the Bratislava IFF Viewers’ Choice Award went to Wanuri Kahiu’s second feature film Rafiki (2018) about forbidden love in Kenya.
Awards of the 20th Bratislava IFF 2018
“If you’re lucky enough to make living of something you really love, there is a downside – you don’t do it for fun, it’s a job.”
Tomáš Hudák. He studied Film studies (criticism) at the Academy of Performing Arts in Bratislava (VŠMU). He’s a fan of film, music, literature and the art as such. He’s a freelancer, writing film reviews and co-organizing several Slovakian film festivals.
“It’s nice to step out from the bubble of social networks – the binary world of likes/unlikes to be part of the group of totally different people, who are connected only by the skateboards.”
Šimon Šafránek. – director, journalist, DJ – multi-genre artist with the sensation of music and word. He’s a freelancer, writing for the Denník N, Hospodářské noviny, Reflex, Magnus etc.
“Films make us better, braver, more romantic and free”
Bibiana Ondrejková. A popular theatre and voice actress and presenter. The general public knows her as the Slovak voice of Phoebe Buffay from the TV show Friends. Upon seeing her, viewers will associate her with the Slovak TV series The Defenders (2014), Red Widow (2014), Homicide Old Town (2010) or Block of Flats (2008).
“Actors infuse film with emotion and give it a soul”
Daniel Rihák. A fresh graduate of film directing at the Academy of Performing Arts in Bratislava under the leadership of prof. Martin Šulík. A director of (so far) student films and a number of commercials. His graduation film The Trip recently won the Best Director and Best Sound awards at the Áčko Student Film Festival.
“All women have the power to change things”
Ivana Hucíková belongs to the generation of young Slovak filmmakers. She studied at the Academy of Performing Arts in Bratislava, from which she graduated in 2015 with her film Mothers and Daughters. A Bratislava citizen from Orava, living and creating in Slovakia and the USA. So far, she has made several short documentary films: Into My Life (2018), Connie & Corey (2017) and is currently working on the development of several film projects as their director, producer or editor.
“Cinema is a great medium for sharing common European values”
Dominika Jarečná was born in 1999 in Bratislava. She currently studies Theory and History of Arts at the Faculty of Arts, Masaryk University in Brno (Czech Republic). She was a member of the Giornate degli Autori jury at this year’s Venice IFF and is a LUX Prize ambassador for the years 2018 and 2019.
Film festival: “It’s a bit like a vacation full of stories”
Alena Sabuchová is a young Slovak author and screenwriter. For her debut collection of short stories Back rooms, Alena was awarded the Ivan Krasko Prize for the best Slovak-language debut as well as the Tatra banka Foundation Young Artist Award in the category of literature. She writes scripts for television and radio, and is currently working on her second book, which will be published next year.
“These films were among the most awarded debut films at this year’s leading festivals”
Nenad Dukić. Serbian film critic, who has been collaborating with the team of people preparing The Bratislava International Film Festival for 8 years now. This year (the 20th anniversary of the festival’s existence), he is again the compiler of the Fiction Competition and co-compiler of the section Cinema Now.
The popular section Cinema Now brings an overview of the most remarkable films of the season. Its curators, Nenad Dukid and Tomáš Hudák, have assembled the most interesting movies that have stirred the waters of world’s major festivals. For 20 years, the Bratislava IFF has been supplying the Slovak film public with names, which often become stars of the screen.
The curators of the section Lexicon: Female gaze, festival programmer Tomáš Hudák and the director of this year’s festival spot Ivana Hucíková, have focused on the status of women in cinema, their portrayal in film, and the uniqueness of a woman’s experience.